‘She Rides Shotgun’ Review: A Young Girl Learns To Grow Up Fast In A Violent But Slyly Subversive New Mexico Neo-Noir

‘She Rides Shotgun’ Review: A Young Girl Learns To Grow Up Fast In A Violent But Slyly Subversive New Mexico Neo-Noir

She Rides Shotgun begins with one uneasy situation and ends on quite another, and the two hours in between are anything but comfortable. Somehow, though, director Nick Rowland finds the lodestone of emotion that allows us to follow its young heroine on a very dark, adult journey without too much recourse to sentimentality. The running…

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‘Young Mothers’ Review: An Expert And Soulful Exploration Of Teenage Motherhood From Belgium’s Dardenne Brothers – Cannes Film Festival

‘Young Mothers’ Review: An Expert And Soulful Exploration Of Teenage Motherhood From Belgium’s Dardenne Brothers – Cannes Film Festival

For nearly 50 years, the Dardenne brothers have been faithfully hoeing the same cinematic row; Jean-Pierre and Luc Dardenne make films filled entirely with the kinds of people who generally pass beneath notice: people who struggle to manage their lives, who battle addictions, who are born poor and are likely to die poor. They make these…

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‘Die My Love’ Review: Jennifer Lawrence Shines In Lynne Ramsay’s Brutal But Beautiful Portrait Of A Woman On The Edge – Cannes Film Festival

‘Die My Love’ Review: Jennifer Lawrence Shines In Lynne Ramsay’s Brutal But Beautiful Portrait Of A Woman On The Edge – Cannes Film Festival

Die My Love, Lynne Ramsay’s fifth film, ends with a familiar song sung by an unfamiliar voice: The director herself delivers a stripped-down version of Joy Division’s 1980 hit “Love Will Tear Us Apart.” Marital-breakdown songs are usually the stuff of country and western, but this stark post-punk anthem was written by Manchester’s Ian Curtis,…

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