‘Desert Warrior’ Review: Rupert Wyatt’s Long-Gestating Middle Eastern Western Is A Sometimes Stunning But Ultimately Stodgy Would-Be Epic – Zurich Film Festival

‘Desert Warrior’ Review: Rupert Wyatt’s Long-Gestating Middle Eastern Western Is A Sometimes Stunning But Ultimately Stodgy Would-Be Epic – Zurich Film Festival

It is a tale nearly as old as time — but enough about the creative differences that have conspired to keep this ambitious Middle Eastern Western away from movie screens since it went into production four years ago. Looking at it now, and knowing what we know about the shooting conditions, it’s a miracle Desert…

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‘The Christophers’ Review: Ian McKellen Is The Art And Soul Of Steven Soderbergh’s Bohemian London Drama – Toronto Film Festival

‘The Christophers’ Review: Ian McKellen Is The Art And Soul Of Steven Soderbergh’s Bohemian London Drama – Toronto Film Festival

Retirement seems to have been treating Steven Soderbergh well; since he first mooted his withdrawal from film-making in 2012 — resulting in a four-year hiatus — he’s made at least one film a year since 2017. His return, however, has seen quite a different output, even for a director who came out swinging as a…

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‘Wake Up Dead Man: A Knives Out Mystery’ Review: Rian Johnson’s Third Whodunit With Daniel Craig Is An Intelligent Gothic Delight – Toronto Film Festival

‘Wake Up Dead Man: A Knives Out Mystery’ Review: Rian Johnson’s Third Whodunit With Daniel Craig Is An Intelligent Gothic Delight – Toronto Film Festival

After the bright, light, summery holiday special that was Glass Onion, the Knives Out franchise returns to its gothic roots with a wintry whodunit that, for some at least, might endure as the the best one yet. Where the first and second used the murder-mystery as a jumping-off point for some very funny contemporary satire,…

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‘The Stranger’ Review: François Ozon Takes Two Hours To Do What The Cure Did In Less Than Three Minutes – Venice Film Festival

‘The Stranger’ Review: François Ozon Takes Two Hours To Do What The Cure Did In Less Than Three Minutes – Venice Film Festival

First published in 1942, Albert Camus’ The Stranger — also known as The Outsider — was a popular fashion accessory in the post-punk ’70s, being heavy in content and light enough in weight to carry around in the pockets of the overcoats worn by devotees of the British band Joy Division. That it was what…

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