AI In Music Is Already Here, But Its Lack Of Depth Hits Some Sour Notes – Guest Column
Editor’s note: The promise and peril of artificial intelligence has captivated Washington D.C., Silicon Valley, Wall Street and Hollywood. Composer Michael Yezerski has taken a hands-on approach to it: The author of the score of the likes of the Oscar-winning short The Last Thing, Blindspotting (the movie and the series), Sean Byrne’s The Devil’s Candy,…
